Serves me right. Usually before I order something through Video On Demand, I do a little research. After all, why would someone give their money away? If you wanted to make an investment, you would first research the venture, wouldn’t you? So, I take time to research a desirable title and then watch a trailer or head to the usual internet staples such as imdb or rottentomatoes just to make sure I know what I am about to get myself into.
But here I was on a quiet Sunday afternoon flipping through the VOD options when I stumbled across the icon for Inkubus. I thought it was a safe bet. After all, it listed Robert Englund (Nightmare on Elm Street), William Forsythe (Dear Mr. Gacy, Boardwalk Empire) and Jonathon Silverman (Weekend at Bernies) on the one-sheet. Surely there must have been something there to lure three known B-actors to the project. Surely.
Inkubus takes place in an old police station about to be demolished. The police have a man wanted for a woman’s murder handcuffed inside when Inkubus (Englund) appears at the station holding the head of the deceased female. Inkubus is calm and confident and the police immediately misrepresent his ‘turning myself in’ intentions. As the police begin to interrogate the Inkubus, he confesses to crimes that date back centuries. That is when retired detective Gil Dimante (Forsythe) is called in to help with the interrogation. Seems the Inkubus and Mr. Diamante have some history that Inkubus is eager to settle. Unfortunately for the remaining staff of the police station, the journey to the film’s conclusion will be filled with gruesome displays of murder and magic that leave not only the characters, but also the audience, scratching their heads.
Inkubus was a straight to DVD/VOD release and it is clear why it was not given a chance to disappoint theatrically. The whole piece from beginning to end was a mess. The story was as weak as an Olson twin on a hunger strike and the production values - in particular the sound - was unforgiveingly bad. Each line sounded as if it was dubbed in an empty school hall and if not for the talented cast trying their best to overcome the inferior production values, I would have likely turned this mess off within minutes and chalked it up to a bad investment.
Surprisingly, the main cast come out of the experience no worse for wear, in particular Englund that shows he has acting chops even when not donning prosthetics that turn him into a burn victim that haunts teenagers on Elm Street in their dreams.
Still, a salvageable performance or two is hardly cause for a celebration. Writer/director Glenn Ciano had some pull to get Englund, Forsythe, Silverman and Joey Fatone to the location shoot every day. But whether this still novice director has any true talent is yet to be seen.
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